I first read the plot summary of Rise of the Guardians somewhere in the beginning months of 2012, and I thought that it was one of the most ridiculous plot summaries that I had ever read. However, that all changed when I saw the trailer for the first time a few months later; the animation was beautiful and the idea of putting twists on all of these supernatural beings that we grew up believing in seemed like a lot of fun, and I suddenly became extremely excited to see this movie. Unfortunately, when I was finally able to see the film a couple of days before Christmas, I was highly disappointed.
The failure of the film isn’t in its re-imagining of beloved childhood heroes, which I thought was done rather well (Alec Baldwin’s Russian-inspired Santa Claus was particularly amusing), but rather in its inability to tell the story implied by its title. Instead of being treated to a story of how the Guardians – Santa, Easter Bunny, Sandman, and Tooth Fairy – came into existence, or at least how they joined together to protect the children of the world, we’re introduced to Jack Frost, voiced by Chris Pine, who can’t be seen by people because they don’t believe in him. Throughout the movie, Jack is searching for his past, which he can’t remember, and it’s his search for answers that becomes the focus of the film. The actual Guardians take a backseat to this quest, and it often seems forced, especially in the film’s relatively short run time of an hour and a half.
Regrettably, even if you take Jack Frost out of the picture and focus solely on the Guardians and on the antagonist, Pitch (i.e. The Boogeyman), there are plenty of problems. The Guardians rely on children believing in them to fuel their powers, so when Pitch interferes with the Guardians’ duties and causes children to stop believing in them, they start to lose their power. This is all fine and dandy and makes sense, but the problem I have is that the film implies that disbelief in one Guardian results in disbelief in the others…which doesn’t even make sense. For example, Pitch prevents the Tooth Fairy from collecting teeth and leaving coins, so the children not only stop believing in the Tooth Fairy (as if every child in the world was waiting for their teeth to be taken anyway), but also in the other Guardians. Personally, I don’t think that disbelief in the Tooth Fairy or in the Sandman would affect my belief in a being like Santa, who plays such a huge part in our popular culture. Aside from that problem, which particularly bothered me, Santa’s helpers, which comprise of elves and yetis, seem to be just cheap imitations of the Minions from Universal’s Despicable Me.
I had high hopes for this film, perhaps too high, which made my disappointment all the more upsetting. The film boasts an all-star cast, wonderful animation, and a beautiful score by composer Alexandre Desplat, but none of that is enough to save itself from a plot that is far less inspired than what was promised by both the trailers and the title. I wish that things had turned out differently, but, as much as it pains me to say it, Rise of the Guardians failed to captivate me like I had hoped, but, to a less critical person, it may be decent enough to entertain.
Rating: 2 (out of 5)
MPAA: PG – for thematic elements and some mildly scary action
P.S. – Read my review of this film’s score, composed by Alexandre Desplat, here!