I believe I’ve said it before, but, just in case I haven’t – historical films don’t have to be historically accurate to be good films. Ideally, yes, they would get every detail correct, but films are designed to entertain and to inform. Whether the events as shown in Captain Phillips accurately line up with the real-life event or not, it is pretty darn great film.
Tom Hanks plays Richard Phillips, captain of the Maersk Alabama container ship, who takes charge when his ship is attacked by Somalian pirates. Making smart tactical decisions that save the life of his crew and sacrificing his safety for the safety of the rest of the people onboard the ship, Phillips stands as a hero who takes a terrible situation and manages to walk away with not only his life, but the lives of the people he is responsible for as well.
Hanks gives the best performance of his life…for, what, the fifth time now? Seriously, he continues to amaze me with his capabilities as an actor. I don’t know about the real-life Richard Phillips, but Hanks’ portrayal is filled with an incredible emotional depth. Through him, we see a compassion for not only his family and his crew, but also for the Somalian pirates who attack the ship. We also see his dedication to the job at hand, his solid resolve, and his desire to put others’ needs ahead of his own. The closing scene of the film, where Hanks’ character sits in shock with the nurse after being rescued from a hostage situation with the pirates, is one of the most emotionally powerful scenes I’ve ever seen.
Barkhad Abdi plays the lead pirate Muse, and he’s pretty excellent as well. The pirates as a whole are equally dedicated to the task at hand. One of my favorite parts about the film is that it never portrays the pirates as bad guys; they are simply young men whose social situations demand that they find a more…creative…means of income. Phillips sees this side of the pirates, which is why he acts so compassionately to them. It also leads to a particularly sobering moment when he says something to the effect of, “surely you must be able to be something aside from fishermen or kidnappers,” to which Muse replies, “maybe in America.” This line highlights how good we have it over here in America, humanizing the pirates and showing that their intentions are not evil from their perspective – they are simply trying to live.
My only slight criticism of this film is the shaky cam work that we have learned to be typical of Paul Greengrass films (cough Bourne Supremacy cough) makes an appearance here, and, though you could argue that it emulates the feeling of being on a boat in choppy water, it never really adds to the film.
There really isn’t a whole lot to say about this film aside from praising Hanks’ performance. The only thing that might stop him from winning the Academy Award for Best Actor is Chiwetel Ejiofor’s performance as Solomon Northup in Steve McQueen’s 12 Years a Slave. The script here is smart, Hanks’ performance is top-notch, and the long run time never feels overbearing due to the suspenseful engagement of the film from the very beginning. Captain Phillips is one of the best biopics I’ve ever seen.
Rating: 4.5 (out of 5)
MPAA: PG-13 – for sustained intense sequences of menace, some violence with bloody images, and for substance use