Tag Archives: Academy Awards

Zero Dark Thirty (2012)

When I first heard about Kathryn Bigelow’s Zero Dark Thirty, I suppose I was interested, but I don’t recall being overly excited for it. It was a story that we all already knew: 9/11 happened, we declared war on terrorism, several years went by, and Osama bin Laden was finally found and killed. But this film gives us much more than that: it explores how all of this happened, and it’s fascinating.

Jessica Chastain stars as Maya, a CIA officer whose sole focus is to find Osama bin Laden in the aftermath of the September 11th attacks on the World Trade Center. Through torture of captured al-Qaeda operatives, information received from said operatives, and a fair amount of deduction, surveillance, and luck, Maya and the CIA manage to track down bin Laden…and the rest is history.

What carries this film, as I mentioned, is the want of the “how.” Through its vignette-style storytelling, skipping from year to year at a time, this film manages to keep us interested by jumping from the discovery of one piece of information to the next, which I really enjoyed. For the first half of the film, I was wondering why Jessica Chastain had been nominated for Best Actress at the Academy Awards; she certainly wasn’t bad, but she didn’t seem to be anything special either. My opinion changed in the second half, however, from the moment Maya stood up to her boss and told him exactly why what she was doing was important and what was on the line. The emotion she was able to project in that moment was incredible…though I still don’t think it’s worthy of a win for Best Actress.

Though I enjoyed Zero Dark Thirty as a whole, I did have a couple of issues with it. First off, the drive for the capture of bin Laden, while we certainly know what it was, didn’t seem to be very well-represented. Granted, we were shown a few terrorist attacks, including one in London and one or two that affected Maya and her team, but none of these really communicated to me the weight of the mission at hand. However, my biggest problem was with the overexcessive amount of foul language – I’m talking the “F word” out the wazoo, among others – that was present throughout the entire film from nearly every character. I can handle it to a point, but it was like the bad language was a large, wooden club that I was constantly being hit over the head with.

Bad language aside, this is a decent film with a captivating story; the search for Osama bin Laden was something that America feverishly pursued for nearly a decade, and to have the full story told in such an artful way is intriguing. I’m not sure exactly how accurate it is to the actual events, but it’s a good enough film for me to not care too much. Is it worthy of the coveted Best Picture award? I wouldn’t say so, but that doesn’t stop Zero Dark Thirty from being a powerful film – though, in reference to the torture early in the film, it is sometimes difficult to watch.

-Chad

Rating: 4 (out of 5)

MPAA: R – for strong violence including brutal disturbing images, and for language


Top Ten Films of 2012

2012 was a good year for movies. Unfortunately, I wasn’t able to see everything – films like Moonrise Kingdom, The Master, Argo, Les Misérables, Django Unchained, etc. are all films released in 2012 that I haven’t seen yet – but I DID manage to see quite a few. Here is my personal list of the best films of 2012 (click on the titles to view my full review):

 

10. Wreck-It Ralph

This was another film that I had been looking forward to for months on end. I’m not as into video games as some other people, but watching this film was still like revisiting my childhood. The heart of this movie is in the right place, with the main message being “accept who you are because you’re a wonderful person just as you are.” A talented voice cast, a sweet story, candy puns out the wazoo, and a fun score by Henry Jackman make this film everything I wanted it to be…and the animated short shown before the film, Paperman, was just as fantastic.

 

9. The Hobbit: An Unexpected Journey

I was late to the whole “Lord of the Rings/J. R. R. Tolkien” party, having only seen Peter Jackson’s film trilogy in the past two years, but I was keen to read The Hobbit and see the movie as soon as I possibly could. While I was disappointed on my first viewing, mainly due to the cartoony special effects that resulted from the higher frame rate (48fps HFR), this film was a faithful adaptation to Tolkien’s original novel, and the return of familiar faces such as Ian McKellen as Gandalf and Andy Serkis as Gollum is refreshing. The real highlight of the film, though, aside from Howard Shore’s beautiful score, is Martin Freeman, who plays the perfect Bilbo Baggins. While some may find the run time to feel a little stretched, I found it to be justified by the attention to detail to the original novel.

 

8. The Hunger Games

I read Suzanne Collins’ acclaimed Hunger Games trilogy just a few weeks before I saw the film, and I was hooked from the get-go. The film did a wonderful job of adapting the novel, perfectly capturing the dystopian society introduced in Collins’ literary world. Jennifer Lawrence did a particularly outstanding job as Katniss, and the scenes added by the filmmakers to show the control that the Capitol has over the people of Panem and over the Hunger Games do nothing but add to the story in a great way.

 

7. Flight

Robert Zemeckis, director of Back to the Future and Who Framed Roger Rabbit, released his first live action film in more than a decade this year. Flight was something I had anticipated for months, and it quite lived up to what I had in mind for it. Denzel Washington gives a powerful performance as a pilot struggling with drug and alcohol addictions, and the film explores topics such as love, recovery, lies, and responsibility. Zemeckis proves that he still has what it takes to direct a top-notch film that focuses on character and story just as much as it does on visual effects.

 

6. Life of Pi

This is a film that I sort of went to see just on a whim, and I’m glad I did. With gorgeous visuals that looked fantastic in 3D (something I don’t say often), Life of Pi excels the most in its storytelling. While the ambiguity of the ending may not appeal to some people, I found the film to be a thoughtful exploration of faith and of religion in general, leading me to look at my own relationship with God. It sort of melds the biblical Book of Job with Robert Zemeckis’ 2000 film Cast Away, and it definitely sparked my interest in reading the book it was based on.

 

5. Skyfall

In anticipation of this film, I first watched Daniel Craig’s Casino Royale, which was entertaining in its more muted kind of way, and Quantum of Solace, which was pretty disappointing. I still had high hopes for Skyfall, though, and it exceeded every expectation I had set for it. The action was fun, Javier Bardem as the villain sent chills up my spine (and also brought a couple of laughs), and Daniel Craig and Judi Dench both gave outstanding performances in their respective roles. The length wasn’t an issue to me because I was too caught up in the entertainment of the film to care.

 

4. Lincoln

Does Spielberg make bad films? I’d answer that with a “no” (I have an argument in favor of Indiana Jones and the Kingdom of the Crystal Skull). With 2011’s War Horse and his newest film, Lincoln, he has taken a step back from the typical sci-fi/action/fantasy films he is known for and has focused more on period dramas – both of which were fantastic. If Daniel Day-Lewis as Abraham Lincoln doesn’t win the Academy Award for Best Actor, I won’t know what to think. Sally Field and Tommy Lee Jones also deliver standout performances in a film that is just as engrossing and fascinating in its exploration of politics as a good action film is in its exploration of shooting and blowing things up. Spielberg is a true master.

 

3. The Dark Knight Rises

Christopher Nolan set the bar high with 2008’s The Dark Knight, and this conclusion to the acclaimed trilogy did not disappoint. Tom Hardy as Bane was sinister and terrifying, Anne Hathaway and Joseph Gordon-Levitt were both welcome new presences, and the return of the familiar faces – i.e. Christian Bale, Michael Caine, Morgan Freeman, and Gary Oldman – was satisfying and well-done. The Dark Knight Rises perfectly concluded Nolan’s trilogy.

 

2. The Avengers

There are so many ways that this film could have gone wrong. I mean, think about it – they took four characters from four separate films and brought them together into one super-film. In the hands of a less-capable director, it could have easily been one of the worst movies of the year, but with Joss Whedon at the helm, it ended up being one of the best. Smart dialogue with exciting action and a great story, The Avengers proved that an ensemble cast like this could work just as well in a film as it does on television.

 

1. Looper

Well-choreographed action sequences meet a smart script in this film starring Joseph Gordon-Levitt and Bruce Willis. As a time travel movie, it explores the consequences of our actions and the true cause of evil, and it spends just as much time in contemplation as it does making you sit on the edge of your seat.

 

Well, there you have it. My top ten films of 2012. What were your favorites of 2012?


The Social Network (2010) – Trent Reznor and Atticus Ross

The hype for director David Fincher’s 2010 film The Social Network was strong and, in my opinion, deservingly so; I seem to like it more and more every time I watch it. However, I didn’t expect to like the soundtrack, composed by Trent Reznor (of Nine Inch Nails fame) and Atticus Ross. Being a big fan of Alexandre Desplat’s score for Harry Potter and the Deathly Hallows – Part 1, I was rooting for (and expecting) his score for The King’s Speech to win. At the time, though, I hadn’t heard the scores to either The Social Network or The King’s Speech, so, when The Social Network took the Academy Award for Best Original Score at the 83rd Academy Awards, I decided to buy both and decide for myself which I liked more, expecting the Desplat to win.

To my surprise, I liked The Social Network’s score more.

Trent Reznor and Atticus Ross’ score to this movie is, to say the least, unconventional. Most of the time you hear an orchestra in the background of a film, not a bunch of electronics and guitar, but that’s exactly what you get in The Social Network…and it’s delightful.

From the haunting piano melody of “Hand Covers Bruise” (which acts as the theme for the film) to the underlying excitement of “Intriguing Possibilities” to a sort of experimental electronic rock in “Eventually We Find Our Way”, Reznor/Ross’ score delivers in every way I can think of: excitement, atmosphere, tension, emotion, etc.

My favorite tracks are “In Motion”, “Intriguing Possibilities”, “Pieces Form the Whole”, and “Carbon Prevails”, and the arrangement of the classic “In the Hall of the Mountain King” is reminiscent of the work of composer Wendy Carlos (TRONThe Shining).

The score for The Social Network has something in it for everyone, whether you are a fan of the film or not. Check it out!

Rating: 5 (out of 5)

1.”Hand Covers Bruise”  4:18

2.”In Motion”4:56

3.”A Familiar Taste”  3:35

4.”It Catches Up with You”  1:39

5.”Intriguing Possibilities”  4:24

6.”Painted Sun in Abstract”  3:29

7.”3:14 Every Night”  4:03

8.”Pieces Form the Whole”  4:16

9.”Carbon Prevails”  3:53

10.”Eventually We Find Our Way”  4:17

11.”Penetration”  1:14

12.”In the Hall of the Mountain King” (Edvard Grieg)  2:21

13.”On We March”  4:14

14.”Magnetic”  2:10

15.”Almost Home”  3:33

16.”Hand Covers Bruise, Reprise”  1:52

17.”Complication with Optimistic Outcome”  3:19

18.”The Gentle Hum of Anxiety”  3:53

19.”Soft Trees Break the Fall”  4:44

Total length: app. 67 min.

iTunes Album Link

-Chad