Tag Archives: best director

12 Years a Slave (2013)

12-years-a-slave

The purpose of cinema is often to entertain, but that is not always the case; sometimes, its purpose is to inform, to educate, or to enlighten. Such is the case with Steve McQueen’s 12 Years a Slave. Though it’s certainly not comfortable viewing, it is powerful, emotional, and heart-breaking film.

Chiwetel Ejiofor plays Solomon Northup, a free black man living with his family in 1840s New York. A true story based on Northup’s memoir, 12 Years a Slave follows him as he is captured and sold into slavery, with him remaining in captivity as a slave in Louisiana for twelve years before being released. We are given a glimpse into the cruelty of the slave trade and the struggles that Northup faces during his time in captivity.

In a film full of excellent performances – with “excellent” here meaning “painfully believable” – from the likes of Benedict Cumberbatch, Michael Fassbender, Paul Dano, and Brad Pitt, among others, it’s hard to imagine that one person would stand out – but stand out he does. Chiwetel Ejiofor delivers a performance that can be described with nothing less than the word “incredible;” the emotions he brings to the story, from joy to fear to anger to depression, are each powerful in their own way, and I found myself captivated every time he was onscreen. Another standout performance comes from Lupita Nyong’o as another slave named Patsey. She goes through quite a lot throughout the course of this film as well, from being the apple of the slaveowner’s eye to begging for death to being flogged for wanting to take a bath. Her performance is also an extremely emotional one – one that will likely bring you to tears more than once.

Often in the film, we are treated to long, still camera shots that linger on Solomon’s face as he stares into the distance, contemplating his current situation. These shots are interesting in that they allow us to see the subtleties in Ejiofor’s acting skills; we can see his emotions develop in real time, like a glimpse into his soul, and it is an unusually compelling technique that works astonishingly well. During these scenes, and during other scenes in which the focus is mostly silence, we are also treated to Hans Zimmer’s minimal but profoundly touching musical score. He utilizes a single theme throughout the film, but each time we hear it, it seems to adapt a new meaning – hope, despair, hopelessness, joy, reunion, thankfulness, tension, and others are all heard in the repetition of this simple theme. Zimmer has been improving with each new score he releases, and it certainly shows here as he deviates from his typically exciting, driving scores to something much more intimate.

This film is difficult to watch in many scenes as we are shown cruelties that no person should have to endure, but it is a sobering and important glimpse into our nation’s past. I mentioned earlier that the purpose of this film is not to entertain, a statement which may draw comparisons to my review of the 2012 Michael Haneke film Amour, which I only awarded 2.5 out of 5 stars because it was such an incredibly depressing film, no matter how artful or masterful it was in execution. Precedent might dictate that I rate this film similarly, but the fact here is that the two films are entirely different in nature. 12 Years a Slave is an often depressing film, yes, but it also has one of the most satisfying endings of any film I’ve seen (you’ll cry if you have a heart), and the historical significance of the story and of the depictions of slavery in the film make this film one that I would entirely recommend…if you can stomach it. Chiwetel Ejiofor is a definite contender (and likely the winner) for the Academy Award for Best Actor, and the film itself and Steve McQueen as director just might walk away with Best Picture/Director.

-Chad

Rating: 5 (out of 5)

MPAA: R – for violence/cruelty, some nudity and brief sexuality


Oscar Predictions 2013

2012 was a fantastic year for film, and, for the first time, I’ve seen a majority of the nominated films, including all nine Best Picture nominees, all five Best Animated Feature nominees, all five Best Live Action Short Film nominees, and all five Best Animated Short Film nominees. I also own and have listened through all five nominated Best Original Scores. Needless to say, I feel relatively prepared enough to type out my own predictions list for this year’s Academy Awards, with a little help from various other people’s lists in the technical area. Just to clarify, though: this does not necessarily reflect my personal favorites (otherwise I wouldn’t have chosen Mychael Danna’s score to Life of Pi for Best Original Score), but it instead shows what I actually think will win.

I’ll give commentary for the first six awards and will simply list the rest.

-Chad

P.S. If something is linked, it’s a link to my personal review of that material, if you’re interested in reading.

Best Picture: Argo

When I first decided that I was going to type up one of these, I argued with myself for a long time over whether or not Argo would win the Oscar for Best Picture, but now I’m almost positive. In the entire history of the Academy Awards, there have only been three instances ever when the winner of the Best Picture Award did not also win the Best Director Award, so, since Ben Affleck isn’t nominated for Best Director, I was leaning more toward Lincoln/Spielberg for the Best Picture/Director awards, but Argo has gotten enough steam built up behind it to snatch the Oscar, and rightfully so.

Best Director: Steven Spielberg for Lincoln

Had he been nominated, I think that Ben Affleck would have won this award for directing what is sure to win Best Picture, Argo, but, since he’s not, Spielberg seems to be the best choice. He has a long history of bringing us excellent films, and Lincoln was no exception. However, I wouldn’t be terribly surprised if Ang Lee received the award for directing Life of Pi, but I don’t expect that’ll happen.

Best Actor: Daniel Day-Lewis in Lincoln

I wasn’t able to see The Master, but of the other four nominees there is no doubt that all four actors did fantastic jobs in their respective roles, but I think that Day-Lewis will take the cake after his incredible portrayal of President Abraham Lincoln in Spielberg’s latest film. I’ll be surprised if he doesn’t get the award, but, if I had to make a second guess, it’d be for Bradley Cooper in Silver Linings Playbook.

Best Actress: Jennifer Lawrence in Silver Linings Playbook

I may have this one completely wrong, as Jessica Chastain also seems to be a popular pick for her role in Zero Dark Thirty (which I don’t agree with), but I think that Lawrence was the definitely the best of those nominated. I must admit to not having seeing The Impossible, but I’m pretty sure that the winner will be either Lawrence or Chastain, and my hope is for Lawrence.

Best Supporting Actor: Christoph Waltz in Django Unchained

I’ve changed my mind about four times while trying to write this because both Christoph Waltz as Dr. Schultz in Django Unchained and Tommy Lee Jones as Thaddeus Stevens in Lincoln were fantastic and are deserving of the Oscar. However, I do believe that Waltz’s performance shines just a bit brighter than Jones’, putting him at least slightly ahead in my book.

Best Supporting Actress: Anne Hathaway in Les Misérables

I am almost completely confident that Anne Hathaway will win this award. While Sally Field was a great Mary Todd Lincoln and Jacki Weaver did a fine job in Silver Linings Playbook (I haven’t seen The Master or The Sessions, but I’m sure that Amy Adams and Helen Hunt were great as well), but I think that Hathaway’s stunning performance of the classic “I Dreamed a Dream” is reason enough to justify her receiving the Oscar.

Best Writing – Original Screenplay: Michael Haneke for Amour

Best Writing – Adapted Screenplay: Chris Terrio for Argo

Best Animated Feature: Wreck-It Ralph

Best Foreign Language Film: Amour

Best Documentary – Feature: Searching for Sugar Man

Best Documentary – Short Subject: Open Heart

Best Live Action Short Film: Curfew

Best Animated Short Film: Paperman

Best Original Score: Mychael Danna for Life of Pi

Best Original Song: Adele Adkins and Paul Epworth for “Skyfall”

Best Sound Editing: Zero Dark Thirty

Best Sound Mixing: Les Misérables

Best Production Design: Les Misérables

Best CinematographyLife of Pi

Best Makeup and Hairstyling: Les Misérables

Best Costume Design: Anna Karenina

Best Film Editing: Argo

Best Visual Effects: Life of Pi