Tag Archives: Bradley Cooper

American Hustle (2013)

amy-adams-christian-bale-american-hustle

 

One of the most celebrated films of 2013 is David O. Russell’s American Hustle, his follow-up to 2012’s critically-acclaimed Silver Linings Playbook (my review). It took me a while to catch this one in theaters just because of the business of winter break and then transitioning back into school, but I was glad to get the chance to check it out.

American Hustle introduces itself with the cheeky disclaimer “Some of this actually happened.” The movie is based on facts, yes, but how much these facts are stretched or not is unclear and are ultimately unimportant. The story focuses around Irving Rosenfeld (Christian Bale), a con artist who works with Sydney Prosser (Amy Adams), or, using her “business” name, Lady Edith Greensly. The two of them have a relationship together, but it is complicated by the fact that Rosenfeld is married to Rosalyn Rosenfeld (Jennifer Lawrence), with whom he has a son. When Rosenfeld and Prosser are caught by FBI agent Richie DiMaso (Bradley Cooper), they strike a deal to help DiMaso score four more arrests in exchange for their amnesty. They set up a sting operation on corrupt politicians, implicating Carmine Polito (Jeremy Renner), the mayor of Camden, New Jersey. However, they soon get in with the wrong people, so they must do everything in their power to maintain their subterfuge or else the operation – and their lives – might be in danger.

The best word I can use to describe this movie is “fun.” The characters are fun, the dialogue is fun, the music is fun, the subterfuge is fun…you get the idea. The whole film is just one big ride that I was happy to go along with. Just like Silver Linings Playbook, the dialogue is king, with everything being presented fast-paced, but never too fast. My favorite two characters and the stars of the film, in my opinion, are Christian Bale as Rosenfeld and Amy Adams as Prosser. Their chemistry is believable and fun, and their abilities to cooperate together to trick people out of their money is detestable in theory but amusing to watch in action. I was surprised by the charisma of Jeremy Renner, who, up until now, has always seemed a bit grumpy or subdued in his roles. It’s not his problem – it’s just the face he has and the roles he’s been in in the past. But here he shines, with smiles abound and energy flowing out of him freely.

Unpopular opinion: I didn’t care much for either Bradley Cooper as DiMaso or Jennifer Lawrence as Mrs. Rosenfeld. Sure, they both had their moments of brilliance, but the majority of the time it seemed that they were just trying to hard…or, in Lawrence’s case, not trying hard enough. I’ve seen “JLaw” in several roles by now, and she’s outstanding in each of them…except for this one. Not to say that she’s not good, just that she didn’t blow me away for once.

Despite its energy, the movie did start to feel a little long by the time we reached the end of it. However, I loved the overall feel of the film, and the 70s soundtrack was extremely entertaining; I have a strange affinity for 70s music, so I was singing along to myself in the back of the theater for the majority of the movie. American Hustle does have its problems – listen to Episode 78 of The MovieByte Podcast to hear me discuss these more in-depth with my friends TJ and Mikey – but I had too much fun watching these characters to be too upset by any lack of quality in other aspects.

-Chad

Rating: 4 (out of 5)

MPAA: R – for pervasive language, some sexual content and brief violence

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Oscar Predictions 2013

2012 was a fantastic year for film, and, for the first time, I’ve seen a majority of the nominated films, including all nine Best Picture nominees, all five Best Animated Feature nominees, all five Best Live Action Short Film nominees, and all five Best Animated Short Film nominees. I also own and have listened through all five nominated Best Original Scores. Needless to say, I feel relatively prepared enough to type out my own predictions list for this year’s Academy Awards, with a little help from various other people’s lists in the technical area. Just to clarify, though: this does not necessarily reflect my personal favorites (otherwise I wouldn’t have chosen Mychael Danna’s score to Life of Pi for Best Original Score), but it instead shows what I actually think will win.

I’ll give commentary for the first six awards and will simply list the rest.

-Chad

P.S. If something is linked, it’s a link to my personal review of that material, if you’re interested in reading.

Best Picture: Argo

When I first decided that I was going to type up one of these, I argued with myself for a long time over whether or not Argo would win the Oscar for Best Picture, but now I’m almost positive. In the entire history of the Academy Awards, there have only been three instances ever when the winner of the Best Picture Award did not also win the Best Director Award, so, since Ben Affleck isn’t nominated for Best Director, I was leaning more toward Lincoln/Spielberg for the Best Picture/Director awards, but Argo has gotten enough steam built up behind it to snatch the Oscar, and rightfully so.

Best Director: Steven Spielberg for Lincoln

Had he been nominated, I think that Ben Affleck would have won this award for directing what is sure to win Best Picture, Argo, but, since he’s not, Spielberg seems to be the best choice. He has a long history of bringing us excellent films, and Lincoln was no exception. However, I wouldn’t be terribly surprised if Ang Lee received the award for directing Life of Pi, but I don’t expect that’ll happen.

Best Actor: Daniel Day-Lewis in Lincoln

I wasn’t able to see The Master, but of the other four nominees there is no doubt that all four actors did fantastic jobs in their respective roles, but I think that Day-Lewis will take the cake after his incredible portrayal of President Abraham Lincoln in Spielberg’s latest film. I’ll be surprised if he doesn’t get the award, but, if I had to make a second guess, it’d be for Bradley Cooper in Silver Linings Playbook.

Best Actress: Jennifer Lawrence in Silver Linings Playbook

I may have this one completely wrong, as Jessica Chastain also seems to be a popular pick for her role in Zero Dark Thirty (which I don’t agree with), but I think that Lawrence was the definitely the best of those nominated. I must admit to not having seeing The Impossible, but I’m pretty sure that the winner will be either Lawrence or Chastain, and my hope is for Lawrence.

Best Supporting Actor: Christoph Waltz in Django Unchained

I’ve changed my mind about four times while trying to write this because both Christoph Waltz as Dr. Schultz in Django Unchained and Tommy Lee Jones as Thaddeus Stevens in Lincoln were fantastic and are deserving of the Oscar. However, I do believe that Waltz’s performance shines just a bit brighter than Jones’, putting him at least slightly ahead in my book.

Best Supporting Actress: Anne Hathaway in Les Misérables

I am almost completely confident that Anne Hathaway will win this award. While Sally Field was a great Mary Todd Lincoln and Jacki Weaver did a fine job in Silver Linings Playbook (I haven’t seen The Master or The Sessions, but I’m sure that Amy Adams and Helen Hunt were great as well), but I think that Hathaway’s stunning performance of the classic “I Dreamed a Dream” is reason enough to justify her receiving the Oscar.

Best Writing – Original Screenplay: Michael Haneke for Amour

Best Writing – Adapted Screenplay: Chris Terrio for Argo

Best Animated Feature: Wreck-It Ralph

Best Foreign Language Film: Amour

Best Documentary – Feature: Searching for Sugar Man

Best Documentary – Short Subject: Open Heart

Best Live Action Short Film: Curfew

Best Animated Short Film: Paperman

Best Original Score: Mychael Danna for Life of Pi

Best Original Song: Adele Adkins and Paul Epworth for “Skyfall”

Best Sound Editing: Zero Dark Thirty

Best Sound Mixing: Les Misérables

Best Production Design: Les Misérables

Best CinematographyLife of Pi

Best Makeup and Hairstyling: Les Misérables

Best Costume Design: Anna Karenina

Best Film Editing: Argo

Best Visual Effects: Life of Pi


Silver Linings Playbook (2012)

Going into Silver Linings Playbook, I literally had no idea what to expect…I knew absolutely nothing about it, aside from the fact that it was nominated for Best Picture at this year’s Academy Awards and that the lead actors were also nominated for Best Actor and Best Actress. With Robert De Niro in a supporting role (also nominated for an Academy Award, I might add), how could I not expect this to be good? Though I didn’t know what to think halfway through it (what the heck was going on?!), everything eventually came together, making Silver Linings Playbook truly worthy of its nominations.

Bradley Cooper plays Pat Solitano, a man suffering from bipolar disorder who has just left a mental hospital after being there for eight months. He has lost his wife and his job, so he lives with his parents and fantasizes about reuniting with his wife one day after proving that he has defeated his bipolar disorder, but he continues to struggle with his disorder. Things start to look better when he meets Tiffany Maxwell, played by Jennifer Lawrence, a woman who has just lost her husband and her job, making the pair kindred spirits. As their friendship grows, they both continue to fight to be understood and to improve their lives.

Much of this film is pretty disjointed; though I questioned it at times and was initially considering commenting on that aspect negatively, it was the incoherence of everything and the lack of sense from some of the characters – De Niro’s character (Pat’s father) is highly superstitious to the point of being crazy, Cooper’s character is just plain crazy, and Lawrence’s character is sometimes terrifying for no apparent reason – that made me all the more sympathetic to their situations. Mr. Solitano’s superstition is an outward expression of his desire to reconcile and spend time with his son, Pat’s mood swings are directly attributed to his love for his wife and his desire to be with her again, and Tiffany’s anger is a result of the death of her husband and need for someone to watch over her. It’s the eccentricities of these characters that makes them so fascinating, and it’s their interactions with each other that propels the film forward; the pace of the film is never rushed, nor does it drag, using the quirks of the characters to set this comedy apart from other comedies.

Really, there isn’t too much else to say. Everyone involved does a fantastic job, with Bradley Cooper and Jennifer Lawrence being incredibly well-deserving of their Academy Award nominations; while I don’t think that Bradley Cooper will win Best Actor (I think he would if Daniel Day-Lewis wasn’t nominated for his performance in Lincoln), I believe that Lawrence walking away with the award is definitely a possibility. This film is happy, it’s sad, and it will make you laugh, though it’ll be for different reasons than if you were to see any other typical comedy that Hollywood usually produces. With a surprisingly refreshing score from Danny Elfman (the last composer I ever thought I’d say that about), Silver Linings Playbook delivers a touching story with unorthodox characters and top-notch comedy and drama, bringing the two genres together in a way that works amazingly well.

-Chad

Rating: 5 (out of 5)

MPAA: R – for language and some sexual content/nudity