I must confess to not having seen the original 1987 RoboCop film, so you unfortunately won’t get a comparison of the old to the new here. However, that also means that this is a review from the perspective of someone who watched the movie just to watch the movie rather than to look for comparisons.
RoboCop stars Joel Kinnaman as police detective Alex Murphy, who is nearly killed by a crime boss for getting too close to his business. Thanks to Raymond Sellers (Michael Keaton) and Dr. Dennett Norton (Gary Oldman) of OmniCorp, however, what is left of Murphy is merged with the latest robot technology, making him a lean, mean, crime-fighting machine, as well as saving his wife (Abbie Cornish) and son from having to mourn his death. But things get complicated when the question arises: who is more in control – man or robot?
I actually – surprisingly – enjoyed the film. It wasn’t one that I was particularly looking forward to, but I decided to give it a chance and was pleased with the result. Gary Oldman is the standout performance for me; his character’s internal conflict – do I do what’s ethical or what I’m told to do? – is well-acted and makes us sympathize with him rather than hate him for his actions. Michael Keaton as Raymond Sellers is also great. I haven’t seen Keaton in a true “bad guy” role before, though Sellers isn’t a “villain” in the traditional sense…he just wants money. Joel Kinnaman as the eponymous robotic cop does a decent job as a robot, but I didn’t think he played the human side of the character very well, even at the start of the film when he wasn’t yet part robot. He played the character almost completely emotionless, almost to the point that he was completely monotone.
*mild spoilers ahead*
The real problem with this movie is that characters don’t make reasonable decisions. Sellers randomly turns murderous toward the end of the film, which doesn’t make sense, and Murphy’s wife’s reaction to security alarms going off after confronting Sellers is to turn against what she just said about not wanting to see or speak to Sellers again and joining him on the roof, which is mostly just for the convenience of the plot.
That being said, there was a scene or two that got me emotionally involved, such as the scene when Murphy first comes home to his wife and son as family, but that tension is never built upon any further. In fact, there’s a moment in the film when RoboCop, now under the full control of the organization rather than his own free will, is told about his son’s social problems resulting from his father’s absence. This information sparks a change in Murphy, and he returns home, but instead of trying to amend his relationship with his family, he starts investigating his own murder. I would have liked to have seen some sort of reconciliation between him and his family at this point rather than saving it for the very end of the film.
In the end, this movie turns into more of just a generic action movie, albeit a mostly entertaining one. The visuals and technology displayed are impressive, and the action scenes were enjoyable, but too much of the story and character relationships were not given justice. Even the music score by Pedro Bromfman was sort of hit-and-miss for me; he utilizes the original theme from the 1987 film, which just doesn’t make sense to me. If you’re going to reboot a film, why not reboot everything like composers have done with Batman Begins (2005), The Amazing Spider-Man (2012), and Man of Steel (2013)? The theme was too 80s for me, which probably worked for the original film but felt out of place here, as did most of the rest of the score. The themes of biased media, family, and morality that the filmmakers tried to emphasize were not developed as well as they could have been, but, like I said, RoboCop is an at least decent action movie that I thought was fun to watch. I can’t speak to how it compares to the original film, but it’s still worth watching at least once.
Rating: 3 (out of 5)
MPAA: PG-13 – for intense sequences of action including frenetic gun violence throughout, brief strong language, sensuality and some drug material
Leave a comment | tags: abbie cornish, batman begins, gary oldman, joel kinnaman, man of steel, michael keaton, pedro bromfman, robocop, samuel l. jackson, The Amazing Spider-Man | posted in 3, Entertainment, Film, Film Reviews, Movies, Music, Scores
2012 was a good year for movies. Unfortunately, I wasn’t able to see everything – films like Moonrise Kingdom, The Master, Argo, Les Misérables, Django Unchained, etc. are all films released in 2012 that I haven’t seen yet – but I DID manage to see quite a few. Here is my personal list of the best films of 2012 (click on the titles to view my full review):
10. Wreck-It Ralph
This was another film that I had been looking forward to for months on end. I’m not as into video games as some other people, but watching this film was still like revisiting my childhood. The heart of this movie is in the right place, with the main message being “accept who you are because you’re a wonderful person just as you are.” A talented voice cast, a sweet story, candy puns out the wazoo, and a fun score by Henry Jackman make this film everything I wanted it to be…and the animated short shown before the film, Paperman, was just as fantastic.
9. The Hobbit: An Unexpected Journey
I was late to the whole “Lord of the Rings/J. R. R. Tolkien” party, having only seen Peter Jackson’s film trilogy in the past two years, but I was keen to read The Hobbit and see the movie as soon as I possibly could. While I was disappointed on my first viewing, mainly due to the cartoony special effects that resulted from the higher frame rate (48fps HFR), this film was a faithful adaptation to Tolkien’s original novel, and the return of familiar faces such as Ian McKellen as Gandalf and Andy Serkis as Gollum is refreshing. The real highlight of the film, though, aside from Howard Shore’s beautiful score, is Martin Freeman, who plays the perfect Bilbo Baggins. While some may find the run time to feel a little stretched, I found it to be justified by the attention to detail to the original novel.
8. The Hunger Games
I read Suzanne Collins’ acclaimed Hunger Games trilogy just a few weeks before I saw the film, and I was hooked from the get-go. The film did a wonderful job of adapting the novel, perfectly capturing the dystopian society introduced in Collins’ literary world. Jennifer Lawrence did a particularly outstanding job as Katniss, and the scenes added by the filmmakers to show the control that the Capitol has over the people of Panem and over the Hunger Games do nothing but add to the story in a great way.
Robert Zemeckis, director of Back to the Future and Who Framed Roger Rabbit, released his first live action film in more than a decade this year. Flight was something I had anticipated for months, and it quite lived up to what I had in mind for it. Denzel Washington gives a powerful performance as a pilot struggling with drug and alcohol addictions, and the film explores topics such as love, recovery, lies, and responsibility. Zemeckis proves that he still has what it takes to direct a top-notch film that focuses on character and story just as much as it does on visual effects.
6. Life of Pi
This is a film that I sort of went to see just on a whim, and I’m glad I did. With gorgeous visuals that looked fantastic in 3D (something I don’t say often), Life of Pi excels the most in its storytelling. While the ambiguity of the ending may not appeal to some people, I found the film to be a thoughtful exploration of faith and of religion in general, leading me to look at my own relationship with God. It sort of melds the biblical Book of Job with Robert Zemeckis’ 2000 film Cast Away, and it definitely sparked my interest in reading the book it was based on.
In anticipation of this film, I first watched Daniel Craig’s Casino Royale, which was entertaining in its more muted kind of way, and Quantum of Solace, which was pretty disappointing. I still had high hopes for Skyfall, though, and it exceeded every expectation I had set for it. The action was fun, Javier Bardem as the villain sent chills up my spine (and also brought a couple of laughs), and Daniel Craig and Judi Dench both gave outstanding performances in their respective roles. The length wasn’t an issue to me because I was too caught up in the entertainment of the film to care.
Does Spielberg make bad films? I’d answer that with a “no” (I have an argument in favor of Indiana Jones and the Kingdom of the Crystal Skull). With 2011’s War Horse and his newest film, Lincoln, he has taken a step back from the typical sci-fi/action/fantasy films he is known for and has focused more on period dramas – both of which were fantastic. If Daniel Day-Lewis as Abraham Lincoln doesn’t win the Academy Award for Best Actor, I won’t know what to think. Sally Field and Tommy Lee Jones also deliver standout performances in a film that is just as engrossing and fascinating in its exploration of politics as a good action film is in its exploration of shooting and blowing things up. Spielberg is a true master.
3. The Dark Knight Rises
Christopher Nolan set the bar high with 2008’s The Dark Knight, and this conclusion to the acclaimed trilogy did not disappoint. Tom Hardy as Bane was sinister and terrifying, Anne Hathaway and Joseph Gordon-Levitt were both welcome new presences, and the return of the familiar faces – i.e. Christian Bale, Michael Caine, Morgan Freeman, and Gary Oldman – was satisfying and well-done. The Dark Knight Rises perfectly concluded Nolan’s trilogy.
2. The Avengers
There are so many ways that this film could have gone wrong. I mean, think about it – they took four characters from four separate films and brought them together into one super-film. In the hands of a less-capable director, it could have easily been one of the worst movies of the year, but with Joss Whedon at the helm, it ended up being one of the best. Smart dialogue with exciting action and a great story, The Avengers proved that an ensemble cast like this could work just as well in a film as it does on television.
Well-choreographed action sequences meet a smart script in this film starring Joseph Gordon-Levitt and Bruce Willis. As a time travel movie, it explores the consequences of our actions and the true cause of evil, and it spends just as much time in contemplation as it does making you sit on the edge of your seat.
Well, there you have it. My top ten films of 2012. What were your favorites of 2012?
7 Comments | tags: 3D, 48fps, Academy Awards, andy serkis, anne hathaway, Back to the Future, bane, bilbo, bilbo baggins, book of job, bruce willis, BTTF, casino royale, cast away, christian bale, Christopher Nolan, daniel craig, daniel day-lewis, denzel washington, flight, gandalf, gandalf the grey, gary oldman, gollum, henry jackman, hfr, Howard Shore, Hunger Games, ian mckellen, Indiana Jones, indiana jones and the kingdom of the crystal skull, j. r. r. tolkien, javier bardem, jennifer lawrence, job, joseph gordon-levitt, joss whedon, jrr tolkien, judi dench, katniss, katniss everdeen, life of pi, Lincoln, looper, Lord of the Rings, lotr, martin freeman, michael caine, morgan freeman, oscar, Panem, paperman, peter jackson, quantum of solace, Robert Zemeckis, Sally Field, skyfall, Suzanne Collins, The Avengers, the dark knight rises, the hobbit, the hobbit: an unexpected journey, The Hunger Games, time travel, Tolkien, tom hardy, tommy lee jones, top 10, top ten, top ten films, War Horse, Who Framed Roger Rabbit, wreck it ralph | posted in Entertainment, Film, Film Reviews, Movies