This is a movie that caught me completely off-guard; I didn’t see it in theaters because I didn’t expect much from it, but, after finally seeing it, it has now become one of those movies that I never tire of.
Despicable Me tells the story of Gru (Steve Carell), a middle-aged villain whose despicable crimes (such as stealing the miniature Statue of Liberty from Las Vegas) pale in comparison to the newest villain on the block, Vector (Jason Segel), who recently stole a pyramid from Egypt. Not to be outdone, Gru, along with the help of his fun-loving “Minions” and assistant, Dr. Nefario (Russell Brand), devises a plot to pull off the “crime of the century”: stealing the moon itself. Along the way, he adopts a trio of orphan sisters in order to gain access to Vector’s heavily-fortified home, but he’s in for a surprise when he realizes that these children may be more important than simply being unknowing accomplices in his evil scheme…they may just change his life.
The voice acting in this film is superb on all accounts. Carell as Gru is hysterical, with his strange foreign accent providing lots of fun lines to imitate with friends, and Segel as the competing villain Vector brings plenty of laughs as well…I can’t tell you how many times I’ve shouted his “oh yeah!” when around friends! Julie Andrews as Gru’s mother is an unexpected delight as Gru’s cruelly indifferent mother, and Russell Brand’s voice transformation from a higher tenor to a gruff elderly baritone as Dr. Nefario is unrecognizable. Perhaps the greatest accomplishment in the voice acting department, however, is in the talent from the three girls: the impossibly adorable Agnes (Elsie Fisher), the rebellious Edith (Dana Gaier), and the critical eldest child Margo (Miranda Cosgrove). In the presence of much more experienced actors, these three never miss a beat in matching their older colleagues step for step. The directors have guided them wonderfully.
One aspect of this movie that particularly surprised me was its heart; the growth of Gru as a character throughout the film is heartwarming and well-developed. At no point does it ever feel rushed or forced, with his transition feeling very natural and genuine. As likable as Gru is as a villain, his role as father to Agnes, Edith, and Margo makes him even more lovable, and the fact that his “evil” plot to steal the moon is just the result of a long-time dream to visit space brings an interesting twist to the characterization. The humor in the film is also well-done; with every re-watch, I never tire of the jokes, which seem to never stale or grow old. The Minions add quite a bit to this humor, with their tendency for slapstick comedy and inappropriate jokes appealing equally to kids and to adults, or at least to me as a young adult in his early twenties.
As I mentioned before, I was totally surprised by how much I loved this film. The script is smart and the dialogue is endlessly quotable, and it has become one of the few movies that I have no problems with watching again and again. It has a fantastic (and, unfortunately, unreleased) score by Heitor Pereira and Pharrell Williams, with Pharrell’s original songs being quite enjoyable as well, despite me not being too fond of all of the lyrics (they just seem strange at times). The likability of these characters and the humor brought by each of the vocal talents behind them make Despicable Me one of the best animated films of the past few years.
Rating: 4.5 (out of 5)
MPAA: PG – for rude humor and mild action
1 Comment | tags: animated, cgi, crime of the century, dana gaier, Despicable Me, dr. nefario, elsie fisher, Gru, heitor pereira, jason Segel, Julie Andrews, las vegas, minions, miranda cosgrove, pharrell williams, russell brand, statue of liberty, steal the moon, steve carell, universal, vector | posted in 4.5, Entertainment, Film, Film Reviews, Movies, Music, Scores, Various
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Magic is fun. Movies are fun. Combining the two to make a movie about a group of magicians who rob a bank? Even more fun! With a premise like that, Now You See Me, sets itself up from the start to be one heck of a ride – and quite an entertaining one at that!
Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco star as four magicians of varying abilities who work alone. As we are introduced to each magician performing his/her solo act, we notice a hooded figure in attendance at each performer’s show. Soon, the four are brought together, each having received a card from this unknown person telling them to show up at an apartment, where the performers are given blueprints and instructions to a grand master plan that involves bank robbery through the art of deception. They form a group and call themselves the Four Horsemen, and, through the sponsorship of insurance businessman Arthur Tressler (Michael Caine), they give a performance a year later in Las Vegas where they seemingly rob a bank in Paris using their talents. The FBI gets involved, with Dylan Rhodes (Mark Ruffalo) on the case, as well as French Interpol agent Alma Vargas (Mélanie Laurent). They ask for help from Thaddeus Bradley (Morgan Freeman), an ex-magician who exposes magicians’ secrets for a living, leading to several intriguing explanations behind some of the magic tricks performed.
While all of that is a lot to comprehend on paper, it doesn’t feel convoluted in the context of the film. Each of the lead actors does a fine job, though Jesse Eisenberg and Woody Harrelson both seem to be channeling previous roles at times (Mark Zuckerberg from The Social Network and Haymitch Abernathy from The Hunger Games, respectively). None of that detracts from the film, however, because, believe it or not, the focus isn’t much on the magicians; the focus is on Rhodes and Vargas, the FBI and Interpol agents who are frantically trying to get ahead of these apparent criminals.
The entire film is a boatload of fun; I’ve had a fascination with magic tricks since a very early age, so I was constantly on the edge of my seat trying to figure out how things were being done. The performance sets were huge, and the constant camera movement (not shaky-cam) helped add to the notion that what you were seeing was an illusion…nothing was held still for very long, so the film had a dynamic feeling of movement throughout that worked quite well, pushing the story forward in a great way. The music, composed by Brian Tyler, was a huge asset to this film, sounding appropriately like a Vegas stage show, background music for an inspirational speaker, and like an action film, all simultaneously, again adding to the notion that everything that the Four Horsemen did, on stage or not, was a performance.
Like all films, though, this one has its problems, with this one being its ending. I won’t reveal the twist to you, but I’ll tell you that someone gets arrested, and it happens in a way that seems entirely illegal. The character who gets arrested is the object of another character’s longtime plan for revenge, and he gets locked away simply out of spite, which is definitely not okay. Had he done something actually illegal, I would have been completely fine with it. Additionally, Michael Caine’s character, Arthur Tressler, disappears for the entire final act of the film with no payoff. Unfortunately, even if his character had come back with a proper payoff, Caine’s performance seemed pretty weak to me, something that I fear can be attributed to his age – at 80 years old, the range of Caine’s acting ability is growing thinner, and I think that this role, however small in the overall context of the film, is outside of that range. I didn’t dislike him, but he certainly could have been better.
Aside from those couple of issues, I really enjoyed this movie. Something that I noticed was what I took to be a hidden commentary on Christianity and belief in God. FBI Agent Dylan Rhodes has a firm disbelief in magic. At one point in the film, a comment is made about believing in something you can’t see to make yourself feel better, and, though I initially thought it was a slam against those who believe in God, I later decided that the film was in support of the idea of having faith in something like magic or God or whatever it may be. I may be completely wrong in that assumption, but it was a bit of commentary that I picked up on and that I really appreciated, being a Christian myself.
Overall, this movie is (mostly) everything I hoped that it would be. A strong central cast takes an intriguing premise and takes us on an exciting journey into the world of magic where its all too easy to get sucked into the fun of the illusions, and, although I was skeptical of the twist ending at first, I’ve come to really appreciate it as I look into how it fits back into the earlier parts of the film. Now You See Me isn’t the kind of film that calls for extra scrutiny or criticism at a superficial level as other films might; just sit back, get your popcorn, and enjoy the ride!
Rating: 4 (out of 5)
MPAA: PG-13 – for language, some action and sexual content
Leave a comment | tags: alma vargas, arthur tressler, bank robbery, brian tyler, Christianity, dave franco, dylan rhodes, fbi, four horsemen, france, french, God, haymitch, haymitch abernathy, illusion, illusionist, interpol, isla fisher, jesse eisenberg, las vegas, magic, magic show, mark ruffalo, mark zuckerberg, mélanie laurent, michael caine, morgan freeman, now you see me, paris, rob a bank, thaddeus bradley, The Hunger Games, The Social Network, woody harrelson | posted in 4, Entertainment, Film, Film Reviews, Movies, Music, Scores