I bought this soundtrack last night before the midnight premiere but didn’t start listening to it until I got home after the movie had ended, and I’ve been listening to it on and off throughout today.
You’ll recall that last week I bought and listened to Danny Elfman’s scores for the first two Spider-Manfilms and was slightly disappointed with their lack of originality and similarities to Elfman’s previous Batmanscores, minus the Main Theme, of course, which is fantastic. I was hoping that James Horner’s score to the newly-released reboot film The Amazing Spider-Man would be much better, more original, and just overall better than Elfman’s, and, for the most part, it is.
I have to be honest right off the bat: Elfman’s Spider-Man theme is the better of the two. That’s not to say that Horner’s isn’t great, but it just doesn’t have the same sort of underlying excitement to it. However, in almost every other respect, Horner’s score runs laps around Elfman’s.
I’ve been listening to the soundtrack as I’ve typed this…Horner’s theme is growing on me more and more. I’m not sure if I like one more than the other, but I’m starting to see the two on a more even level now, and Horner’s may soon become my favorite of the two…give them both a listen and see what you think!
You might have realized by now that it bothers me when a composer’s score to one film sounds too similar to another score that he composed. I listened intently to Horner’s score, listening for hints of Titanic or Avatar…admittedly, those are the only two previous James Horner scores that I have exposure to. Fortunately, I didn’t hear either of those in The Amazing Spider-Man…with the exception of one or two moments. For example, about 31 seconds in to “The Ganali Device” sounds a bit similar to excerpts from Horner’s score to Avatar, but it’s not as similar as a Zimmer or Elfman score would be, so it’s forgivable.
I read somewhere online where Marc Webb chose Horner to compose for The Amazing Spider-Man because he wanted something with “both grandeur and intimacy” [found here]. The more I listen, the more I feel that that is the perfect description for this soundtrack. There are plenty of big moment that are fitting of the character, such as in “Saving New York” and “Oscorp Tower”, but there are also the smaller, more personal moments between Peter and family/Gwen/himself, as heard in “Secrets”, “Rooftop Kiss”, and “I Can’t See You Anymore”. Whereas Elfman’s score would often go for excitement over emotion, Horner’s has a pleasant mix of both that better captures the darker, more relationship-based world that director Marc Webb has envisioned for The Amazing Spider-Man.
Overall, Horner’s score is a score more appropriate for a Spider-Man film than Elfman’s. It enhances the world that Marc Webb created for our webbed hero in blue and red, and it does this all while sounding distinctly original and independent, something that is always refreshing in this market dominated by composers like Hans Zimmer and Danny Elfman. For something different and exciting, check out James Horner’s score to The Amazing Spider-Man.
Rating: 4 (out of 5)
1.”Main Title – Young Peter” 4:54
2. “Becoming Spider-Man” 4:16
3. “Playing Basketball” 1:22
4. “Hunting for Information” 2:07
5. “The Briefcase” 3:14
6. “The Spider Room – Rumble in the Subway” 3:20
7. “Secrets” 2:30
8. “The Equation” 4:22
9. “The Ganali Device” 2:28
10. “Ben’s Death” 5:41
11. “Metamorphosis” 3:04
12. “Rooftop Kiss” 2:34
13. “The Bridge” 5:15
14. “Peter’s Suspicions” 3:01
15. “Making a Silk Trap” 2:52
16. “Lizard at School!” 2:57
17. “Saving New York” 7:52
18. “Oscorp Tower” 3:22
19. “I Can’t See You Anymore” 6:50
20. ”Promises – End Titles” 4:52
Total Length – app. 78 min.
P.S. – Read my review of the film here!